Rhiannon Schneiderman

The Martyr ©Rhiannon Schneiderman Photography

Fri, 05 Apr 2013 15:29:09 -0400

The Martyr ©Rhiannon Schneiderman Photography

Nature’s Leggings ©Rhiannon Schneiderman Photography

Thu, 28 Mar 2013 20:25:25 -0400

Nature’s Leggings

©Rhiannon Schneiderman Photography

Tampons. ©Rhiannon Schneiderman Photography

Sun, 16 Dec 2012 17:14:33 -0500

Tampons. ©Rhiannon Schneiderman Photography

Eat yr Heart Out, Georgia O’Keeffe. ©Rhiannon Schneiderman...

Tue, 11 Dec 2012 22:27:00 -0500

Eat yr Heart Out, Georgia O’Keeffe. ©Rhiannon Schneiderman Photography

It’s beginning to look a lot like Christmas. ©Rhiannon...

Mon, 26 Nov 2012 15:13:43 -0500

It’s beginning to look a lot like Christmas. ©Rhiannon Schneiderman Photography

Digital Image. 2012

Sat, 29 Sep 2012 13:29:09 -0400

Digital Image. 2012

Boobies. Rhiannon Schneiderman Photography. Digital Photograph

Mon, 17 Sep 2012 12:59:00 -0400

Boobies. Rhiannon Schneiderman Photography. Digital Photograph

Since the interview for DesignTaxi.com on my “Lady...

Fri, 24 Aug 2012 22:17:00 -0400

Since the interview for DesignTaxi.com on my “Lady Manes” self-portrait series was edited down to just a few lines, I decided I’d post the full interview for anyone interested (my mom).

1) Could we have your full name, age and where you are currently based?

My name is Rhiannon Schneiderman, I’m 23 years old, and I am currently based in Daytona Beach, Florida.

2) Could you describe your ‘Lady Manes’ series to our readers? (eg. what inspired you to produce it; what is the message/concept you are trying to portray.)

The Lady Manes is a series of eight self-portraits. In each image I’m standing in your typical feminine pose in an outfit or article of clothing, and I’ve accessorized each outfit with its own unique, stylized ‘Lady Mane.’ A ‘Lady Mane’ is just a somewhat empowering pseudonym for a bunch of pubes, a “bush,” your “hair down there”… And that’s what the series was about for me: empowerment. I can’t really pinpoint any one source of inspiration for the project because it really was a culmination of so many things going on at the time; I’d moved to and lived in Daytona Beach, the armpit of Florida and possibly all of civilization, for almost two years (for school) during which time I’d witnessed and been subject to some pretty amazingly sexist ordeals. I was moving more into my hardcore feminist phase, which I think every lesbian in their 20’s goes through, and just so happened to have a hardcore feminist, fine-arts-major professor who had been giving me a semester of the most intense and life-altering class critiques I’d ever experienced. I’d been introduced to Cass Bird’s “Rewilding”, an amazing body of work that continues to influence me. All of these things, and maybe a few Lady Gaga songs, were inspiration enough to create a series that kind of laughed at conventional gender norms. I wanted to tell people that they were ridiculous, make them uncomfortable for a change. I wanted to challenge femininity and the objectification of women that is still so incredibly prevalent in society. I guess it was my way of saying, “Fuck you. Enough is enough.”

3) How was it done?

I was fortunate enough to have access to everything I needed for the project. I used industrial-strength Velcro (I don’t recommend trying that at home) to attach the hair pieces which I found at several different wig stores, clothing from my own closet, school studio space and lighting equipment, and the Hasselblad H3D to shoot the images. My friend and peer, Pedro Lopez, who is an awesome photographer that I collaborate with more often than not, took the photos once everything was arranged correctly. Then I spent probably over an hour on each photograph, editing-wise.

4) Your photo series may come across as controversial to some—how has it been received so far?

That is definitely how it’s been received. I think that it made a lot of men and a lot of professors very uncomfortable. Some peers just wrote it off as “well, that’s Rhiannon,” a lot of them thought it was absolutely hilarious. I got a lot of high fives, mostly from women and especially from my female professors. My own gay community really embraced it. There was a guy who said, “you’re so beautiful, why would you do that? I don’t get it” – I didn’t slap him across the face but it did take a lot of effort on my part.

5) Is it alright if we use the images from your website? Are there any additional pictures we could use?

Yes, absolutely! I’d actually use the ones on my Tumblr —-rhiannonschneiderman.tumblr.com, the complete series isn’t on my website. I think there are only six on it. I’m really bad at having a website.

6) Lastly, do you have anything else to add or like our readers to know?

I do, actually! If anyone is interested in photography school, I really can’t give enough attention to the Southeast Center for Photographic Studies at Daytona State College. Seriously, without it I’d be lost. It’s such a great photo school, and the only one I’ve heard of with such an awesome facility that is so affordable. I should definitely also mention Jayanti Seiler, my crazy feminist professor. She’s just the best.

Grilling Cheeses. Scanned 120 Film, ISO 400. Taken with Mamiya...

Tue, 17 Jul 2012 22:00:22 -0400

Grilling Cheeses. Scanned 120 Film, ISO 400. Taken with Mamiya C220 TLR.

Blue Springs. Scanned 120 Film, ISO 400. Taken with Mamiya C220...

Tue, 17 Jul 2012 21:57:33 -0400

Blue Springs. Scanned 120 Film, ISO 400. Taken with Mamiya C220 TLR.

Elyse and our dog-child, Oscar de la Renta Schneiderman. Scanned...

Tue, 17 Jul 2012 21:55:47 -0400

Elyse and our dog-child, Oscar de la Renta Schneiderman. Scanned 120 Film, ISO 400. Taken with Mamiya C220 TLR.

Still Life/Mess. Scanned 120 Film, ISO 400. Taken with Mamiya...

Tue, 17 Jul 2012 21:53:29 -0400

Still Life/Mess. Scanned 120 Film, ISO 400. Taken with Mamiya C220 TLR.

Double Exposure II. Scanned 120 Film, ISO 400. Taken with Mamiya...

Tue, 17 Jul 2012 21:52:00 -0400

Double Exposure II. Scanned 120 Film, ISO 400. Taken with Mamiya C220 TLR.

Elyse’s hands. Scanned 120 Film, ISO 400. Taken with...

Tue, 17 Jul 2012 21:48:32 -0400

Elyse’s hands. Scanned 120 Film, ISO 400. Taken with Mamiya C220 TLR.

Double Exposure; Scanned 120 Film, ISO 400. Taken with Mamiya...

Tue, 17 Jul 2012 21:44:00 -0400

Double Exposure; Scanned 120 Film, ISO 400. Taken with Mamiya C220 TLR.

The Lady Manes self-portrait series. Taken with the Hasselblad...

Sat, 07 Jul 2012 14:41:00 -0400

Elyse and I were lesbians at Bonnaroo this year. Disposable...

Tue, 26 Jun 2012 20:12:00 -0400

Elyse and I were lesbians at Bonnaroo this year. Disposable Camera, 35mm Scanned Color Film

Disposable Camera, 35mm Scanned Color Film

Thu, 21 Jun 2012 18:27:27 -0400

Disposable Camera, 35mm Scanned Color Film

Thu, 21 Jun 2012 18:26:00 -0400

Disposable Camera, 35mm Scanned Color Film

Thu, 21 Jun 2012 18:25:08 -0400

Disposable Camera, 35mm Scanned Color Film